Antiques

Wanting In

October 17, 2012

Photo courtesy andrechinn via Flickr

At the beginning of the famous novel, "Remembrance of Things Past," the mere taste of a biscuit started Marcel Proust on a seven-volume remembrance. Here a bulldozer turns up an old doorknob, and look what happens in Shirley Buettner's imagination. [Introduction by Ted Kooser.]

Discovered 

While clearing the west
quarter for more cropland,
the Cat quarried
a porcelain doorknob

oystered in earth,
grained and crazed
like an historic egg,
with a screwless stem of

rusted and pitted iron.
I turn its cold white roundness
with my palm and
open the oak door

fitted with oval glass,
fretted with wood ivy,
and call my frontier neighbor.
Her voice comes distant but

clear, scolding children
in overalls
and highbutton shoes.
A bucket of fresh eggs and

a clutch of rhubarb rest
on her daisied oil-cloth.
She knew I would knock someday,
wanting in.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. From Walking Out the Dark (Juniper Press, 1984). Copyright © 1984 by Shirley Buettner and reprinted by permission of the author. Introduction copyright © 2012 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Attitudes

Lucky

October 12, 2012

Twice on Wednesday I found myself talking to someone about how lucky I am. The first time, I was sitting on the back of my horse, talking to my friend and trainer, Gayle, about how my experience with Tank has been one of the best things in my whole life. We talked about how lucky I feel first to even own a horse, and also to have one that I’ve been able to bond with so closely. I mentioned that my life is so much better than I ever imagined it being. Though I was speaking out of the emotion of the moment, glossing over the pain and emotional storms I’ve weathered, it is true that I am lucky. If I started to list the struggles and problems of my life, that lucky feeling would certainly fade. It was then that I realized it’s my choice what version of my life to dwell on, and ultimately my choice whether I feel “lucky” or not.


In the second instance, I had emailed my friend Laure an image of some sketchbook pages I loved, expressing a desire to have my sketchbook resemble them. We emailed back and forth about developing artistic style, and I finished one email with, “I’m lucky to have some lovely artists to be influenced by, aren’t I?” While I’m still learning the basics of drawing and painting, let alone working on my “style,” between the support and encouragement of my friends (my classmates in Laure’s classes as well as Laure herself) and the wealth of material available in books and online, I have the ability to enjoy and learn from many different artists. I can’t help but be inspired. This may seem like an insignificant matter to feel lucky about—but isn’t life made up of “insignificant matters”?

Coincidentally, we have a new resident at our barn, a tiny, elderly pony whose name is Lucky. Poor Lucky was essentially starving to death because his previous owners (well-meaning but ignorant) didn’t realize the condition of his teeth made it impossible for him to eat normally—his food needs to be soaked into soupiness. Aside from his thinness and the neglect of his hooves and coat, he seems healthy.  He’s lucky to have been found by caring people who hope to help him, and a vet who is willing to take on some of his care without compensation. With any luck, he’ll live out his life in comfort, being spoiled by the girls (and the adults) at the barn.

Lucky doing what he does best
I guess what I’m trying to say is that feeling lucky is to some degree a matter of perspective, acknowledging the negatives but choosing to focus more on the positives. It’s part of my “Catching Happiness” philosophy, when I remember to live by it.

What makes you feel lucky?

Beautiful moments

Piece-ful

October 10, 2012



“There are few things more sacred than the moment you come to peace with your pieces.”

—Marney Makridakis

Busy-ness

Checking In

October 09, 2012

The craziness continues, but it’s good craziness.


After “sharing” home office space with my husband for three years (translation: I had a desk in there but I was rarely at it because our working styles were not compatible), he moved to his new office in our unused formal living room last week. I’ve spent much of the past few days cleaning and organizing my space and collecting my things from where they were scattered throughout the house. I’ve still got some organizing to do, but at least I know everything is here (somewhere) and I again have a door I can close when I need to.


I took the day yesterday to relieve my horse of his winter coat. (Click here to see what that entails.) Yes, even though it’s still near 90 degrees and humid, Tank was sporting his usual premature wooliness. I’m not quite finished—I have three legs left and some tidying—but he’s much more comfortable. Since he’s now shorn, that means it’s likely a cold front will come through and drop the temps. (Bring it on! I have a horse blanket.)

I expect to have a more “normal” schedule in the next week or so and will get back to more regular posting soon.

So what’s new with you?

Autumn

Autumn Descends

October 03, 2012


Much of the poetry that has endured the longest is about the relentless movement of time, and in ways all art is about just that. Here’s a landscape in which time is at work, by Geraldine Connolly, who lives in Montana. [Introduction by Ted Kooser.]

Flathead Lake, October

The eagle floats and glides,
circling the burnished aspen,

then takes the high pines
with a flash of underwing.

As surely as the eagle sails
toward the bay’s open curve,

as surely as he swoops and seizes
the struggling fish, pulling

it from an osprey’s beak;
so too, autumn descends,

to steal the glistening
summer from our open hands.

American Life in Poetry is made possible by The Poetry Foundation www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2007 by Geraldine Connolly, from her most recent book of poems, Hand of the Wind, Iris Press, 2009. Reprinted by permission of Geraldine Connolly and the publisher. Introduction copyright  2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.