This column originates in Nebraska, and our office is about two hours’ drive from that stretch of the Platte River where thousands of sandhill cranes stop for a few weeks each year. Linda Hogan, one of our most respected Native writers and Writer in Residence for The Chickasaw Nation, perfectly captures their magic and mystery in this fine poem. [Introduction by Ted Kooser.]

The Sandhills

The language of cranes

we once were told

is the wind. The wind

is their method,

their current, the translated story

of life they write across the sky.

Millions of years

they have blown here

on ancestral longing,

their wings of wide arrival,

necks long, legs stretched out

above strands of earth

where they arrive

with the shine of water,

stories, interminable

language of exchanges

descended from the sky

and then they stand,

earth made only of crane

from bank to bank of the river

as far as you can see

the ancient story made new.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem reprinted from Sing: Poetry from the Indigenous Americas, Ed. by Allison Adelle Hedge Coke, The Univ. of Arizona Press, 2011, by permission of Linda Hogan and the publisher. Introduction copyright © 2013 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

One of my heroes is gone. On Saturday evening, my grandmother, Vivian Burch Holmes, passed away at the age of 97.

My grandma was my hero because she was so full of life, interested in living and in other people right up until the end. Until recently, she went to hospitals and nursing homes to visit and play bingo with the “old people.” She lived independently until November, when the effects of a small stroke made it too hard for her to climb the stairs to her basement-level apartment. I know she found it very difficult to move to an assisted living facility near my aunt, leaving her friends, her church and her independence behind.

I didn’t know my grandma as well as I would have liked. For all of my growing up years, I lived in California and she lived in Virginia. I visited her a time or two, and she came out to California a couple times as well, notably for my high school graduation. She wrote to me regularly, even up until a few weeks before her death. I’m so glad I wrote back and she was able to hear and understand my letter before she died. I always thought of her as Grandma Burch, even when she remarried after my grandfather died. (Her second husband passed away some years ago.)

Even with our sporadic contact, I have many happy memories of Grandma. She tried to teach me how to crochet (I never advanced beyond one long string of yarn) and she did teach me how to do candlewicking. One of my favorite memories is of the time she came to visit us in Florida, and my dad and stepmom came from California, when Nick was about 3. It was near Grandma’s birthday, so every time we went out to eat, we told the servers it was her birthday, and they came and sang to her. The best time was at a Mexican restaurant where they made her wear a giant sombrero while they serenaded her. You can see by her big smile she’s enjoying the experience! Other memories of that visit include a trip to Disney World, and a looong toy guitar “concert” given by Nick out on our lanai which everyone endured more or less patiently.

I spent a happy hour sitting on our lanai after dinner one night last week. I dipped in and out of my book, but mostly I listened to the birds, trying to identify the different species I saw and heard (I’m terrible at this but enjoy it anyway). A frog’s voice pulsed from somewhere to my left. My dog occasionally announced her presence to the world by randomly barking at nothing in particular. A squirrel jumped onto the screen enclosure with a soft thunk, a couple of people jogged by on the trail. A hawk perched on the limb of an oak, rubbing his (or her) beak against the bark. The insects began an evening chorus.

I noticed that when I stop to listen, the quiet evening is full of small clicks and chirps and rustlings. Noticing them and trying to figure out what they are gave me deep pleasure.

I’ve noticed, too, that when I slow down the pace of my everyday activities, I observe so many details I might have otherwise missed: the way the morning light glows in my bedroom when I open the blinds, the smell of brewing coffee and of the gardenias on my desk, the taste of strawberries and the spacecraft-taking-off-for-Mars clatter of the washing machine. These little details make up the real “fabric of our lives” (with apologies to the cotton industry) and too often I’m oblivious to them. I think I’ll make sitting outside after dinner a regular practice. I can always learn to listen better.

What do you notice when you listen?

“A poet dares to be just so clear and no clearer…He unzips the veil from beauty, but does not remove it.”

—E.B. White

Remember, April is National Poetry Month. Click here for ways to celebrate. My library has ordered a copy of The Best of the Best American Poetry: 25th Anniversary Edition, and I plan to put in a request for it when it comes in. Another edition I plan to check out is Good Poems for Hard Times, chosen by Garrison Keillor.

In what way will you let poetry into your life this April?

I did manage to do a little extra reading (Mr. Skeffington, The Olive Grove),   ride Tank several times and make a new vision board (better late than never). And—ta da—I finished painting my sketches from Sunken Gardens. 

Have you noticed that when you cut back on doing one thing, something else leaps forward to take its place? The time I spend writing posts and visiting other people’s blogs was easily consumed by other tasks, and by the end of the week, I didn’t really feel like I’d had a break. I extended the break into the first part of this week, and what do you know? I spent hours on Monday doing errands. Clearly, I need to work on the concept of taking a break.

This non-break taught me something about myself that I already sort of knew: I feel guilty if I’m not constantly working to contribute in some way. Since I don’t have a paying job, I drive myself to work for the family nearly constantly. I have a terribly hard time allowing myself the time I need for study, thought and yes, doing nothing, in service of feeding my creativity and my ultimate writing goals which I am ashamed to say have almost completely fallen into obscurity. I feel bad about this, and instead of rerouting my energies to fix it, I go for the more obvious (and endless) to-do list where I can mark off things achieved and actually see a result—a bathroom cleaned, groceries in the fridge, etc. I’m having a hard time letting go of tangible results for intangible ones.