“Gratitude is the inward feeling of kindness received. Thankfulness is the natural impulse to express that feeling. Thanksgiving is the following of that impulse.”

—Henry Van Dyke

I’ve been a mystery fan practically since I could read,  especially enjoying “cozy” mysteries by Agatha Christie and Patricia Wentworth. I will always love Miss Marple, Hercule Poirot (Christie) and Miss Silver (Wentworth), but recently, I’ve been introduced to more modern (and younger) detectives who have become new favorites, most notably Jacqueline Winspear’s Maisie Dobbs and Kerry Greenwood’s Phryne Fisher. I find both heroines appealing.

The two share a few similarities: they operate during the same general time period, between the first and second world wars. Both served in World War I, Maisie as a nurse, Phryne as an ambulance driver. Both came from humble beginnings, though Phryne has had the good fortune to inherit wealth. Both women decide to become detectives.

Phryne (pronounced “fry-nee”), a resident of 1920s Melbourne, is smart, sophisticated, confident, brave, kind and generous. Despite tragedy in her past, she lives to the fullest and in the moment. Maisie lives in London in the late 1920s/early 30s. She’s much less well off, but just as clever and resourceful. The scars from her past haunt her just as much as Phryne’s do, and I imagine I’ll learn more about them as I continue through the series. Maisie studies psychology (and is referred to, in fact, as a “psychologist and investigator”) in solving her cases. 

Though I’ve read the first few Maisie Dobbs books (there are 10 so far), I’ve only met Phryne on DVD. I plan to read Greenwood’s first Phryne Fisher book (there are 20!) as soon as I can—in fact, I just requested it from my library. I’m completely charmed by the characters as brought to life in the TV series, and I imagine the books will be even better. I love what Greenwood had to say about her creation: “…Phryne is a hero, just like James Bond or the Saint, but with fewer product endorsements and a better class of lovers. I decided to try a female hero and made her as free as a male hero, to see what she would do.”  Doesn’t that sound like fun?

Linda Pastan, who lives in Maryland, is a master of the kind of water-clear writing that enables us to see into the depths. This is a poem about migrating birds, but also about how it feels to witness the passing of another year. [Introduction by Ted Kooser.]

The Birds 

are heading south, pulled

by a compass in the genes.

They are not fooled

by this odd November summer,

though we stand in our doorways

wearing cotton dresses.

We are watching them

as they swoop and gather—

the shadow of wings

falls over the heart.

When they rustle among

the empty branches, the trees

must think their lost leaves

have come back.

The birds are heading south,

instinct is the oldest story.

They fly over their doubles,

the mute weathervanes,

teaching all of us

with their tailfeathers

the true north.

When last we left our intrepid travelers, they were luxuriating at the Bee and Thistle Inn…

After my husband pried my fingers off the door to the inn (I would gladly have stayed in our cozy room at least one more night), we boarded the Essex Steam Train for a short ride through the woods along the Connecticut River, followed by a riverboat trip up the river itself. The day was cold and windy, but we braved the top deck to watch the river banks slide by, a few houses tucked in here and there, and the scarlet and yellow trees that seemed to grow right out of the rock in places.

As we floated by, what looked like a ruined castle loomed up on the hill above us. Our trip narrator identified it as Gillette Castle.

Gillette Castle, which is part of Gillette Castle State Park, was the property of actor William Gillette, whose adaptation of Sir Arthur Conan Doyle’s work and on-stage portrayal of Sherlock Holmes helped define the role. (He played Holmes more than 1,300 times over 30 years, and coined the phrase, “Oh, this is elementary, my dear fellow” which was later changed to Holmes’ most famous line, “Elementary, my dear Watson,” according to Wikipedia.) Gillette, who by all accounts was a clever and eccentric man, personally designed the 24-room house and its contents, including 47 intricate and unique door latches, no two of which are alike. The structurally sound home, build of fieldstone with a  steel framework, was designed to look like the ruins of castle you might see along the Rhine in Germany. It’s open to the public from Memorial Day weekend to Columbus Day weekend, but we were told that even without being able to enter the house, it would be worthwhile to walk around it, and take in the grounds and river views  After lunch, we drove up there and explored a small portion of the park, which was free to enter. It would be a marvelous place to sketch on a less windy and cold day.

When Gillette died, he had no one to leave his estate to and was concerned with what would happen to this property, putting specific instructions in his will to guarantee the property would not fall into the hands “of some blithering saphead who has no conception of where he is or with what surrounded.” In 1943, the Connecticut government purchased the property, renamed the home Gillette’s Castle and the 184-acre estate became Gillette Castle State Park. In 1986, it was added to the National Register of Historic Places.

Next and final stop: Boston, where we were forced to hide our resentment of the Boston Red Sox from rabid fans (Boston beat our home team, the Tampa Bay Rays, in the playoffs) and we were lucky to find a hotel room we could afford—the last game of the World Series was played the day we flew home.