I usually avoid books on war (and other harrowing topics), but I needed a classic about war to finish my Back to the Classics challenge. I happened to have All Quiet on the Western Front on my TBR shelf, and since on its cover there was a banner proclaiming, “The greatest war novel of all time,” I thought I’d give it a try. And I’m so glad I did. This novel, by Erich Maria Remarque, was beautifully and sensitively written in a way that helped me understand the emotional experience of soldiers at war without overwhelming my emotions. Originally written in German, my copy was translated by A.W. Wheen and I found the writing simple and easy to read.  Some of the most affecting passages for me included the following:

Describing a dying friend: “Under the skin the life no longer pulses, it has already pressed out the boundaries of the body. Death is working from within. It already has command in the eyes. Here lies our comrade. Kemmerich, who a little while ago was roasting horse flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate from which two pictures have been taken. Even his voice sounds like ashes.”

After guarding Russian prisoners of war: “A word of command has made these silent figures our enemies; a word of command might transform them into our friends. At some table a document is signed by some persons whom none of us knows, and then for years together that very crime on which formerly the world’s condemnation and severest penalty fall, becomes our highest aim. But who can draw such a distinction when he looks at these quiet men with their childlike faces and apostles’ beards. Any non-commissioned officer is more of an enemy to a recruit, any schoolmaster to a pupil, than they are to us. And yet we would shoot at them again and they at us if they were free.”

Reflecting on the future: “I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me…. Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?”

Remarque wrote nine more novels, though none was as successful as All Quiet. He led quite a colorful life, and died in Switzerland in 1970 from an aneurysm.

All Quiet on the Western Front gives us a peek inside the minds of those who actually fight. Warfare may have changed a lot since 1918, but I imagine those fighting still go through most of the emotions and experiences found in this novel. All Quiet was more than worth the read. I felt sensitized and educated rather than depressed, and would definitely recommend it.

When we talk about “happiness” we’re really talking about several different things. I’ve chosen to categorize them like this: momentary pleasure, overall happiness and long-term contentment. Ideally, a truly happy life balances all three. Let’s look at these forms and at how we can boost each one.

Momentary pleasure. Momentary pleasure includes all our feel-good moments and jolts of fleeting pleasure. We feel it when we eat a brownie or have a massage, receive a compliment or buy a new shirt. Fleeting pleasures are nice while they last, and we can—and should—easily add them to our daily lives. We should be on the lookout for opportunities to do something nice for ourselves—whether that means taking a break to read a novel, buying some fresh flowers or savoring a delicious meal. We might even make a list of momentary pleasures to indulge in when the time is right.

Nice as it is, however, momentary pleasure is just the tip of the happiness iceberg, so to speak. Chasing momentary pleasure without regard to deeper forms of happiness can backfire, ultimately leaving us unhappy. Which brings us to…

Overall happiness. Overall happiness is a general good feeling about life. Baseline happiness, if you will. Generally, things are going right for you and you appreciate what’s going on in your life. This form of happiness is a little more work than momentary pleasure—you might do things such as work out, eat right, pay your bills on time or help out a neighbor in need—things that contribute to overall happiness but might not always offer momentary pleasure. (For example, I’d much rather eat a brownie than broccoli, but I know my health will suffer if I don’t eat right, and that definitely makes me unhappy). Gretchen Rubin’s excellent books The Happiness Project and Happier at Home both examine ways we can boost our overall happiness. And finally, we come to…

Long-term contentment. Contentment comes from deep within, running like an underground river, even when our outward circumstances seem unhappy. I believe it comes from alignment of purpose, knowing we’re primarily acting according to our deepest values. We can look within and know we’re doing what we believe to be right. We believe our lives are full of more good than bad, and we’re grateful. Boosting this form of happiness requires some introspection, examination of what we really believe, and deciding whether we feel we’re living those beliefs. Meditation and other spiritual practices can guide us to long-term contentment. One practice I’m working on incorporating is the “three good things” exercise: every day before bed record three good things from that day. It’s so easy for me to dwell on the negative; this practice helps me refocus on the positive.

“After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible.”

—Elizabeth George Speare, The Witch of Blackbird Pond

Have you ever felt that somehow, you just weren’t quite enough?

Lately I’ve been pondering the concept of worth and of being enough, because I’ve been feeling inadequate. No matter what I do, it never feels like enough. And if I’m not doing enough, then I feel I don’t “deserve” good things. It’s not a happy way to live. I feel like I’m required to give and produce constantly before I can receive—be worthy of—love and respect.

I know part of this feeling is tied to money. I’m not earning right now, though not for a lack of trying. I have several essays out in the world awaiting judgment, and I’ve applied for several jobs in the past six months and have been met with silence. When you hit enough walls, you begin to doubt your worth.

In my head I know that my worth is not contingent upon what I earn. I contribute to my family and the world by giving love, support, encouragement, and even physical labor. In my head, I know that I have worth just because I’m alive. But…

I still struggle.

Here are some things that help me, and might help you if you suffer from the occasional feeling that you’re not enough:

Examine the concept of “enough.” Who determines what is enough? Is it the same or different for each person? Does doing “enough” equal being “enough”? Quantifying “enough” is treading dangerously close to the slippery slope of perfectionism and all the craziness thereof.

Do less, counterproductive as that may seem. It’s possible to set too ambitious goals for the amount of time I have. The constant failure to do everything on the to-do list, even if it’s unreasonable to expect to finish, makes me feel inadequate. I’ve taken to putting time estimates next to my to-dos so I can see if I’m packing the day with 15 hours of work. I’m now making a core to-do list with the most important things on it, and I’m limiting them to just a few each day. I’m going to give myself credit and a reward when I complete them. If I want to do more, that’s fine, but I can quit and consider my day productive if I’ve done my core to-dos.

Stop comparing myself with others. I am who I am, I do what I do. I believe what  teacher Jim Tolles wrote in his post, “Feeling Like You’re Not Enough”: “You are. I won't even say you are enough because that kind of statement presumes that in someway you could ever be ‘not enough.’ This is an absurdity. You are as you are. That is perfect in the sense that you don't have to validate your existence or your ability to be, receive, or give love.”

Be honest with myself. It’s true: sometimes (though not always) feeling not good enough is an indicator that I need to do something different, learn more, try harder. If my work doesn’t get accepted, it may be because it isn’t quite good enough, humbling though that is. I know I’m not the writer that I want to be yet, and I must keep learning, experimenting, writing, in order to improve.

Photo courtesy Tim Mossholder

Introduction by Ted Kooser: I’m fond of poems about weather, and I especially like this poem by Todd Davis for the way it looks at how fog affects whatever is within and beneath it.

Veil

In this low place between mountains

fog settles with the dark of evening.

Every year it takes some of those

we love—a car full of teenagers

on the way home from a dance, or

a father on his way to the paper mill,

nightshift the only opening.

Each morning, up on the ridge,

the sun lifts this veil, sees what night

has accomplished. The water on our window-

screens disappears slowly, gradually,

like grief. The heat of the day carries water

from the river back up into the sky,

and where the fog is heaviest and stays

longest, you’ll see the lines it leaves

on trees, the flowers that grow

the fullest.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2007 by Todd Davis from his most recent book of poems, “The Least of These,” Michigan State University Press, 2010. Reprinted by permission of Todd Davis and the publisher. Poem first appeared in “Albatross,” No. 18, 2007. Introduction copyright © 2010 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.