Introduction by Ted Kooser: While many of the poems we feature in this column are written in open forms, that’s not to say I don’t respect good writing done in traditional meter and rhyme. But a number of contemporary poets, knowing how a rigid attachment to form can take charge of the writing and drag the poet along behind, will choose, say, the traditional villanelle form, then relax its restraints through the use of broken rhythm and inexact rhymes. I’d guess that if I weren’t talking about it, you might not notice, reading this poem by Floyd Skloot, that you were reading a sonnet.

Silent Music

My wife wears headphones as she plays

Chopin etudes in the winter light.

Singing random notes, she sways

in and out of shadow while night

settles. The keys she presses make a soft

clack, the bench creaks when her weight shifts,

golden cotton fabric ripples across

her shoulders, and the sustain pedal clicks.

This is the hidden melody I know

so well, her body finding harmony in

the give and take of motion, her lyric

grace of gesture measured against a slow

fall of darkness. Now stillness descends

to signal the end of her silent music.

Reprinted from “Prairie Schooner,” Volume 80, Number 2 (Summer, 2006) by permission of the University of Nebraska Press. Copyright © 2006 by the University of Nebraska Press. Floyd Skloot’s most recent book is “The End of Dreams,” 2006, Louisiana State University Press. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. We do not accept unsolicited manuscripts.

Guess where I am? I’m indulging in simple pleasures and everyday adventures in California while I visit my parents. Here, there’s no chorus of projects, laundry, or errands. Time for a break, to enjoy my family, escape the humidity and hurricanes, and recharge.  Time to hear myself think on the airplane and on the drive from the airport to my mom’s house. Time for reading and sketching, drinking tea and playing games. Heaven!

My posting schedule won’t be affected much. I’ve scheduled a poem for next Wednesday as usual, and I hope to be back here next Friday to share my adventures, but until then I’ll have limited email and computer access by choice. I need some recharging and well-refilling.

“Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you

are supposed to be.”

I know it doesn’t seem like there’s much to smile about—hurricanes, contentious presidential elections, and various other distressing events and tragedies grab headline space in print and online. There’s often not much we can do about the darkness in the world…except try to lighten it a little by caring for others, by sharing simple pleasures with others, spreading the ripples of kindness. 

Today is World Smile Day, a day its founder Harvey Ball (the artist who designed the original smiley face) envisioned as a day we go out of our way to smile and do kind acts. Its motto is simple: “Do one act of kindness. Make one person smile.”

I find it so easy to become overwhelmed by the troubles in the world and in the lives of those I love, not to mention my own struggles.  I’m ashamed to still need constant reminders to seek for small kindnesses to share with others, but I’m going to keep trying. One act of kindness at a time.

What kind actions made you smile today?

Introduction by Ted Kooser: Barbara Crooker, who lives in Pennsylvania, has become one of this column's favorite poets. We try to publish work that a broad audience of readers can understand and, we hope, may be moved by, and this particular writer is very good at that. Here's an example from her collection, Gold, from Cascade Books.

Grief

is a river you wade in until you get to the other side.

But I am here, stuck in the middle, water parting

around my ankles, moving downstream

over the flat rocks. I'm not able to lift a foot,

move on. Instead, I'm going to stay here

in the shallows with my sorrow, nurture it

like a cranky baby, rock it in my arms.

I don't want it to grow up, go to school, get married.

It's mine. Yes, the October sunlight wraps me

in its yellow shawl, and the air is sweet

as a golden Tokay. On the other side,

there are apples, grapes, walnuts,

and the rocks are warm from the sun.

But I'm going to stand here,

growing colder, until every inch

of my skin is numb. I can't cross over.

Then you really will be gone.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2013 by Barbara Crooker, “Grief” (Gold, Cascade Books, 2013). Poem reprinted by permission of Barbara Crooker and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.