I know a few people who simply don’t read. Well, that’s not quite accurate—they don’t read books. They read things on the internet, or they flip through magazines or the newspaper. Some simply aren’t interested in books, while others say they fall asleep as soon as they sit down with a book.

This is unthinkable.

My life would be immeasurably poorer without books. They’ve been my teachers and companions since I first deciphered letters on the page. If I were an Egyptian queen, I’d want to be buried with my library.

I find connection with other people through reading—a sort of validation that my feelings and thoughts are not unique to the world. I find this particularly in the writings of women, especially those who have the experience of trying to balance family commitments with some type of artistic life.


I read to learn—not only about practicalities, like how to take better photos (The Digital Photography Book) or use my time more effectively (168 Hours), but to see what it would be like to live in a different time, or as a man, or even as a horse (Black Beauty). As a writer, I read to improve my writing by immersing myself in beautiful language. I observe how other writers structure their work, and play with words. I read to try to understand other people’s points of view, thus expanding my own. I read to escape to new worlds, to laugh, to enrich my life. I know reading books isn't the only way to do these things, but I feel that people who don't read books miss out on a lot.


Mostly, though, I read for the sheer pleasure of it.


Why do you read?

Here’s a poem of mixed feelings by Don Thompson to help us launch October. Thompson lives in Buttonwillow, California, which sounds like the name of a town in a children’s story, don’t you think? [Introduction by Ted Kooser]

October

I used to think the land
had something to say to us,
back when wildflowers
would come right up to your hand
as if they were tame.

Sooner or later, I thought,
the wind would begin to make sense
if I listened hard
and took notes religiously.
That was spring.

Now I’m not so sure:
the cloudless sky has a flat affect
and the fields plowed down after harvest
seem so expressionless,
keeping their own counsel.

This afternoon, nut tree leaves
blow across them
as if autumn had written us a long letter,
changed its mind,
and tore it into little scraps.

American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2010 by Don Thompson, whose most recent book of poetry is Where We Live, Parallel Press, 2009. Reprinted from Plainsongs, Vol. 30, no. 3, Spring 2010, by permission of Don Thompson and the publisher. Introduction copyright ©2011 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Life is good

I have a complaint. Where has the Table of Contents gone? Two of the books I’m reading have chapters with names instead of just numbers, but no Table of Contents. The publisher couldn’t spare the space or paper for a Table of Contents, yet they can have a page in the back with details about the book’s typeface?! I’m as interested in the typeface as the next person (not very), but I’d rather be able to read the chapter titles and speculate on their contents. I also like consulting the TOC to see how I’m progressing through the book. I don’t like flipping through the book to read the chapter titles, or trying to assess my progress through them this way. It’s just one of my quirks.

A quirk is a peculiarity of behavior, an idiosyncrasy. Our quirks are part of the reason we are who we are—and most of them are completely harmless, though they may seem strange to others. Some of them become habits, or even superstitions—like the hockey players who will not step on the team logo on the floor of their locker room (and won’t allow visitors to do so, either) or the Hollywood writer who backs out of a room in which something good happened.

Quirks can be as simple as whether you put on both socks, then both shoes, or a sock and a shoe and a sock and a shoe; how you take your shower; in what order you eat the foods that make up your dinner (“never end with a bite of something you don’t like”). Some of my additional quirks include:

• I often get the hiccups when I take the first sip or two of a carbonated drink.
• I don’t like mayonnaise on anything except steamed artichokes.
• I keep lists of all the books I read each year.
• I talk to my dog and my horse just like they are people. (They don’t talk back, however, at least in words…)
• I prefer to slice fruit like apples, peaches or plums rather than eat them whole.

I could go on, but…I’d like to know: what are some of your quirks? Do you ever try to change them?

Morning quirk habit

After spending a few days with my mom and step dad, I headed back down to Sacramento to return my rental car and meet my dad and step mom. My companions on the drive:

I loved the drive to and from my mom’s house—it’s straight and easy, up Interstate 5, a trip we took many times when I was growing up. The drive gave me time to think, to sing along with the iPod, to watch for landmarks from my childhood letting me know I was getting close to my destination. I love the openness, the flat fields backed by misty little hills in the distance.


Sacramento was HOT. One hundred degrees a couple of the three days I was there—but, say it with me, it was a dry heat! And it was cool in the morning and evening, so still not as uncomfortable as Florida.

My step mom and I spent our time doing all the things we enjoyed when I was growing up: shopping, going to the movies and visiting with family. My step brother came over for dinner and we visited my step grandma at her assisted living facility, where my step uncle met us. (My dad and step mom have been married for more than 30 years, so her family is my family.) And, of course, there’s my “sister”:


One of the highlights of the trip: Harness racing at Cal Expo. My dad used to take us to these when I came to visit him in the summer. I adored watching the horses race, and one memorable evening, we got to ride in the starting car. Occasionally we’d arrive early and walk through the stables where I breathed in the scent of hay and horse and walked on air for hours afterwards.

Harness racers are standardbreds, who trot or pace around a track pulling a two-wheeled cart (called a sulky) and driver, at up to speeds of more than 30 mph. (In the pace, the two legs on the same side of the horse move forward together, unlike the trot, where the two legs diagonally opposite from each other move forward together.) Most races are a mile long. The most famous race is the Hambletonian, held every year in August at The Meadowlands racetrack in New Jersey, but you can see harness racing at many county and state fairs all over the U.S. (For more information, see http://www.ustrotting.com/. To learn more about standardbreds, go here.)


We ate dinner at the Turf Club and spent several hours watching the races. And let me tell you, it’s far too easy to place bets. You can buy a voucher for whatever amount you want, then slip your voucher into a machine, use a touch screen to place your bet and away you(r money) go(es). I limited myself to a $20 voucher.

My system of betting was highly scientific. First, I chose a horse whose name had some meaning for me. I got my dad to decipher the racing form and quickly read up on the horse’s stats. I usually placed a “win, place, show” bet, so that I would win if my horse came in first, second or third, and I liked to bet on long shots (or at least not favorites). My first race, I chose “Racetrack Diva” in honor of my friend’s horse, Glory, an off-the-track thoroughbred. Diva obliged me by coming in third. The next race I bet on, I chose “Amazon Dot” because of my love affair with Amazon.com. Dot won the race! I began to feel pretty proud of my system! You can guess what happened next. For the rest of the evening, none of my choices came in better than fourth. I ended the evening with a net loss of $3.90, which I consider well worth it for the amount of entertainment I got.


My family—both sets—basically spoiled me while I was in California, and gave me a much-needed break from my everyday responsibilities. I felt so lucky to be able to see my California family while my Florida family took care of themselves.

Monday, I asked, “What makes a place home for you?” This morning, I found an answer: “Where we love is home—home that our feet may leave but not our hearts.” (Oliver Wendell Holmes)

Diane Glancy is one of our country’s Native American poets, and I recently judged her latest book, “Asylum in the Grasslands,” the winner of a regional competition. Here is a good example of her clear and steady writing. [Introduction by Ted Kooser.]

Indian Summer

There’s a farm auction up the road.
Wind has its bid in for the leaves.
Already bugs flurry the headlights
between cornfields at night.
If this world were permanent,
I could dance full as the squaw dress
on the clothesline.
I would not see winter
in the square of white yard-light on the wall.
But something tugs at me.
The world is at a loss and I am part of it
migrating daily.
Everything is up for grabs
like a box of farm tools broken open.
I hear the spirits often in the garden
and along the shore of corn.
I know this place is not mine.
I hear them up the road again.
This world is a horizon, an open sea.
Behind the house, the white iceberg of the barn.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Copyright ©2007 by Diane Glancy, whose novel “The Reason For Crows,” is forthcoming from State University of New York Press, 2009. Poem reprinted from “Asylum in the Grasslands,” University of Arizona Press, 2007, by permission of Diane Glancy. Introduction copyright © 2009 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.